One of the advantages of setting The Absence in the 1940s is that the vehicles are pretty blocky in shape, and thus easy to draw in perspective. This is especially handy when there's a whole queue of 'em... This was another of those pictures which I approached with a 'gulp - this ain't gonna go well' attitude but which actually worked out ok in the end. Gonna need to fiddle with the load on the back of the truck though. Looks a touch unbalanced.
Oh, and I need to fix Marwood's left eye which is wandering across his face.
And I'm going to add some clouds, cos there's a storm approaching.
And I might add a bit more grass.
Other than that: finished.
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