Photos

As I've previously mentioned, the fact that Insomnia is now defunct is almost a blessing because I can now put each 'chapter' (Insomnia wanted it as book) as individual issues as I'd always intended. I had a grand scheme for the covers but only got to do one, however now I get to follow the idea through! Each cover is a half-and-half - illustration at the top, and a photo montage at the bottom.

This is the first one:


And this is the new one for issue 2:


None of these photos exist as real places – in the second one for example, the hill, the trees, the sky, the fence, and each crane all come from different images which I've composited together. It's Winter's Hill, where Temple is building his house...

Flashback

So, Insomnia Publications is dead, as is my contract with them which is a shame but hey ho: at least it means I get to do The Absence as single issues, as was the original plan. If I can muster the enthusiasm/energy/time maybe I'll start going to some cons and doing this small press thing properly. Or maybe I'll shop The Absence round to other publishers. People seem to like it...

Anyway.

6 pages of issue #3 (as it will be known now - none of this 'chapter' bullshit anymore) is flashback. I've already established a style for the flashbacks, having had a couple of panels in issues #1 and #2. They look like this:

It's black and white art as with the rest of the comic (albeit with a slightly looser line), with a wash of grey over the top. Looks simple but it's a pain in the ass (although weirdly satisfying) to do. Here's the creation of a page I've been working on from #3. First, the line art:

Then I place a piece of tracing paper over the top and paint with black ink the areas I will eventually want grey. Again, I do it roughly and quickly. The flashback sequences are supposed to be fluid and loose (like a memory) - and I have to do it quickly because the tracing paper has a tendency to ruck up when it gets wet. It'll look like this (sorry about the photo - shitty iphone camera):

This is the overlay when separated from the art:

Once the two pieces are scanned in, I place the overlay on top of the art in photoshop and set the opacity to 30%. Can't post that till I get the art scanned but this, at least, is process. And it's a process I need to get used to: almost all of #4 will be a flashback...
And what's Marwood so terrified of? Well you'll have to wait and see...

Spandex

The Absence chapter 3 is rumbling along (took a minor detour to work on a friend's comic story which hopefully I'll post later, along with some #3 pages). In the meantime, here's a pin up I did for Martin Eden's Japandex project which spun out of his hugely successful Spandex comic. Read about it here: http://spandexcomic.wordpress.com/


After the (relatively) real world of The Absence it was nice to paint a traditional superhero with a mask for a change!
Full disclosure and all that – it was based on the cover of Sputnik Sweetheart by Haruki Murakami.